Manual Dominatrix: Gender, Eroticism, and Control in the Dungeon

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Lindemann takes us into professional dominatrices' worlds and shows us, with graceful and consistently engaging prose, how the women she studied build careers, negotiate with clients, and develop accounts that make sense of their work and of the relationships it entails. Dominatrix has much to teach us about gender and sexuality. Danielle J. Lindemann is a postdoctoral research scholar at Vanderbilt University.

She lives with her husband in New York - a city she loves masochistically. Du kanske gillar. Upending the idea that these erotic laborers engage in simple exchanges and revealing the therapeutic and analytic nature of their work, Lindemann makes a major contribution to cultural studies, anthropology, and queer studies with her analysis of how gender, power, sexuality, and hierarchy shape all of our social experiences.

Specifications Publisher University of Chicago Press.


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How was your experience with this page? Verbal protests, such as "Stop," "That hurts," or "Let me go," may be misinterpreted by the dominant as part of a particular role-playing scenario, while a safe word unambiguously ensures termination of the session. One client explained,. You can define your safe words to be whatever you want, but most people just use "yellow" and "red.

Red basically means "That's it. Scene done. As one pro-domme told me, "I usually will continue what I'm doing, and I don't stop unless they safe word. I basically tell them at the beginning of the session that if they say, like, 'No, stop' or 'It hurts' then I won't stop if they're not using the safe word. It makes sense to think about BDSM as theatrical, not only because dramaturgy is such an apt conceptual tool for considering these exchanges, but also because the participants themselves often view their actions as performative.

About half the pro-dommes I interviewed agreed with the statement that professional dominance is "theater" or a "performance. She added, "Essentially it is always performance art between you and the person you're playing with.


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    Gender, Eroticism, and Control in the Dungeon

    There's a performance. It just happens to be for an audience of one.

    Dominatrix - Wikiwand

    And there's audience participation [ laughs ]. Further, they used dramaturgical lingo to characterize the interactions; most referred to BDSM interactions as "scenes," and some explicitly referred to the pre-session negotiation as a "scripting" process.

    BDSM 101!

    When I discuss the "scripting" of a dungeon encounter, I am defining a "script" as the plan for interaction that is developed by one or both parties before the interaction itself occurs. The submissive has a certain degree of control over this process, even within noncommercial lifestyle BDSM. It is apparent, however, that the submissive has more control over the scene than an onlooker not keyed into the exchange might assume. The negotiation process prior to a session is directed toward, among other things, discerning a client's interests and fantasies, so that these may be played out on the dungeon floor.

    In this sense, the client has control over the general course the scene will take.

    Dominatrix

    One Manhattan-based pro-domme told me that she begins this negotiation over the phone: "Usually when I talk to them, I get an idea of what their interests are—pre-screen people. Then they come in, and we chat for ten to fifteen minutes. I have a set list of questions that I ask that have kind of worked for me before.

    I mean, I was just trained to interact with people. It's much easier for me to see their reactions and to better understand where they are, and see how they react when they describe—you know, first I ask, "What are your interests? Let's go over your interests. Then I ask them about—it's a very, very important question and not a lot of people ask this—"What's the worst session you ever had? And I'll ask him what's the best session he ever had.

    (P/B) DOMINATRIX

    And in between the two of those things, and how he says it, I'm like, okay, now I understand. Most informants told me that this negotiation process was geared toward determining a sub's preferred activities and "triggers" which words, props, or sensations especially excite him , as well as his physical and emotional "limits. Client tastes vary widely.

    Consequently, professional dominance is an extremely multifaceted industry.

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    It would be a herculean task to construct a typology of all the requests pro-dommes get, but they may be generally organized into three ideal types: pain-producing dominant, non-pain-producing dominant, and fetishistic. These categories overlap; sessions commonly involve some combination of pain, dominance without physical pain, and fetish. Scenarios in which the domme inflicts physical pain are often "corporal" sessions, in which she strikes the client's body—for instance, by spanking, paddling, flogging, caning, whipping, or punching.