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Through the first half of the 19th century the tradition is clear enough: from Rossini through Bellini and Donizetti to Verdi. But the final familiar step—from Verdi to Puccini—is not so straightforward.
If a historical narrative for those 30 years has been awkward, it is the first ten that have been most challenging. What is still more intriguing is that even at the time the list would have been no easier to compile, as there were no other new Italian operas that achieved success domestically or abroad. In an attempt to understand why this was the case, I focused on operatic culture in Milan during this decade.
I certainly did not set out to challenge the narrative of 19th-century opera, but one conclusion has emerged as unavoidable: that in the s the tradition of Italian opera died, and something altogether different began to develop. It is a striking irony that this compositional crisis should coincide so precisely with the moment that Italy finally became a nation: the process of geo-political unification lasted from July when the Austrian Empire ceded Lombardy to France, which in turn ceded it to Piedmont until October when Napoleon III withdrew his troops from the Papal States, leading to their annexation to the Kingdom of Italy.
Towards the end of the century , Bologna welcomed as member of the Liceo also Giacomo Puccini, creator of many other opera pages that were able to renew the Italian melodrama, without betraying its spirit. In the archives of the institute there is a file of autograph minutes of the Madame Butterfly , which was discovered in the spring of Recovering tradition, the masters of Bologna managed to create a school of luthiers that were considered, together with the masters of Cremona, among the best makers of string instruments of the Italian 20th century.vh27646.eurodir.ru/themes/diqofaqeb/805-sitios-de.php
Fashions and Legacies of Nineteenth-Century Italian Opera - Google книги
Bologna was also the place of birth of Ottorino Respighi — , one of the greatest Italian musicians and composers of symphonic music, who opened the Italian music tradition and melodrama to the Austrian and German instrumental music. When he was very young, Respighi began to practice the violin and the counterpoint at the Music Liceo of his city, and then got his diploma in Composition.
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Respighi added to innovation the recovery of the most ancient musical traditions, the Gregorian chant and the old music of the Renaissance. This post is also available in: Italian. Skip links Skip to primary navigation Skip to content Skip to footer After the dissolution of the religious orders in , music teaching was no more a prerogative of convents, churches and academies and it passed to the Liceo Filarmonico.
opera: Opera in the Nineteenth Century
Giuseppe Domenico Scarlatti was an Italian composer who is credited for the transition from Baroque into the Classical era. He spent a large proportion of his life serving the Portuguese and Spanish Royal Families, and like his father, Alessandro Scarlatti, he composed in a multitude of musical platforms. However, he is mostly recognized for his keyboard Sonatas, which incorporate inventive techniques such as unconventional key modulations and use of discords.
Giovanni Pergolesi was an Italian composer of the Baroque era and one of the most important early composers of opera buffa comic opera. His opera seria serious opera , Il Prigionier Superbo, included an opera buffa act called La Serva Padrona , which eventually became a popular piece in its own right. However, its premiere in Paris created a divide between the French school of serious opera and Italian school of opera buffa. This contention segregated Paris for years, with Pergolesi being highlighted as the leader of the Italian movement of comic opera.
Bel canto, Verdi, and Verismo
Before his retirement in and the emergence of Verdi, Rossini had been widely regarded as the most popular opera composer in history. Vincenzo Bellini , a native of Sicily, was the quintessential composer of bel canto opera, which focuses on light tone and legato production through vocal ranges.
Giuseppe Verdi was an Italian composer of the Romantic era and is still considered one of the most influential composers of the 19th century, his works still being performed in opera houses worldwide. Verdi was often criticized for his overly melodramatic and diatonic works, but is still considered to be the most important Italian composer of the Romantic era.
Puccini is celebrated for his stunning melodies, lush orchestrations, and expert musical dramatization.